For an eight-song compilation, Back to Black: B-Sides plays with the cohesive flow of a short, full-length album. But it also shows that the late Amy Winehouse’s influences ran a bit deeper than revealed on both 2003’s Frank and 2006’s Back to Black. She opens covering “Valerie” by British band the Zutons, turning their distorted indie-rock tune into something that sounds straight out of the mid-‘60s Motown vaults. She follows by turning Sam Cooke’s “Cupid” into a vintage-sounding ska tune. Keeping with the ska theme, Winehouse then tears into Toots & The Maytals’ “Monkey Man.” “Some Unholy War” is one of two Winehouse-penned songs here. It’s a slow-burning soul dirge with a brushed snare drum providing a moody backdrop over steadily picked arpeggios as she sings about supporting those fighting an unsupportable war.

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Her “Love Is a Losing Game” closes with a raw, stripped-down beauty. For an eight-song compilation, Back to Black: B-Sides plays with the cohesive flow of a short, full-length album. But it also shows that the late Amy Winehouse’s influences ran a bit deeper than revealed on both 2003’s Frank and 2006’s Back to Black. She opens covering “Valerie” by British band the Zutons, turning their distorted indie-rock tune into something that sounds straight out of the mid-‘60s Motown vaults.

She follows by turning Sam Cooke’s “Cupid” into a vintage-sounding ska tune. Keeping with the ska theme, Winehouse then tears into Toots & The Maytals’ “Monkey Man.” “Some Unholy War” is one of two Winehouse-penned songs here. It’s a slow-burning soul dirge with a brushed snare drum providing a moody backdrop over steadily picked arpeggios as she sings about supporting those fighting an unsupportable war. Her “Love Is a Losing Game” closes with a raw, stripped-down beauty. Much can be said about the late Amy Winehouse, one of the U. Samurai Warriors 2 Empires Iso. K.' S flagship vocalists during the 2000s. The British press and tabloids seemed to focus on her rowdy behavior, heavy consumption of alcohol, and tragic end, but fans and critics alike embraced her rugged charm, brash sense of humor, and distinctively soulful and jazzy vocals.

Her platinum-selling breakthrough album, Frank (2003), elicited comparisons ranging from Billie Holiday and Sarah Vaughan to Macy Gray and Lauryn Hill. Interestingly enough, despite her strong accent and vernacular, one can often hear aspects of each of those singers' vocal repertoires in Winehouse's own voice. Nonetheless, her allure had always been her songwriting -- almost always deeply personal but best known for its profanity and brutal candor. Born to a taxi-driving father and a pharmacist mother, Winehouse grew up in the Southgate area of northern London. Her upbringing was surrounded by jazz. Many of the uncles on her mother's side were professional jazz musicians, and even her paternal grandmother was romantically involved with British jazz legend Ronnie Scott at one time. While at home, she listened to and absorbed her parents' selection of greats: Dinah Washington, Ella Fitzgerald, and Frank Sinatra among others.

However, in her teens, she was drawn to the rebellious spirit of TLC, Salt-N-Pepa, and other American R&B and hip-hop acts of the time. At the age of 16, after she had been expelled from London's Sylvia Young Theatre School, she caught her first break when pop singer Tyler James, a schoolmate and close friend, passed on her demo tape to his A&R representative, who was searching for a jazz vocalist. Chessboard Pdf Open Cv Github. That opportunity led to her recording contract with Island Records. By the end of 2003, when she was 20 years old, Island had released her debut album, Frank. With contributions from hip-hop producer/keyboardist Salaam Remi, Winehouse's amalgam of jazz, pop, soul, and hip-hop received rave reviews. The album was nominated for the 2004 Mercury Music Prize as well as two Brit Awards, and its lead single, 'Stronger Than Me,' won an Ivor Novello Award for Best Contemporary Song. Following Winehouse's debut, the accolades and inquiring interviews appeared concurrently in the press with her tempestuous public life.